Marian and I had high expectations. We were about to go to see a one-woman theatre piece calls “the Amish Project”. It referred to the tragic murder of thirteen school kids whose Amish classroom was invaded by an armed lunatic.
At first I refused to join Marian in reliving such a terror. But word came from several critics of its unique value. Travel plans were finalized, and I was nearly dressed when Marian called at the last moment to tell me that there was a long, steep flight of steps from the street entrance up to the theater.
I am too disabled to manage those damn steps.
Marian decided to go alone. This was another time I had been rebuffed by architecture. Suddenly my missed evening struck me harder than the play’s tragic subject. I moped regretfully the remainder of the afternoon.
Stepping outside on my terrace to relieve the blues, I was thrilled to see a dazzling rainbow its enormous arc embracing the sky from mid-Manhattan to north Brooklyn, I began shouting to the strollers eleven stories below to “look up, look up, a rainbow!” But no one heard me. I was the sole beneficiary of the splendor. I was Finian himself.
MY PRIVATE CONEY presents IT WAS HER NEW YORK, the short stories that accompany the work-in-progress video and photo collection of the same name (myprivateconey.com - media link - IT WAS HER NEW YORK). The stories and the media explore the tender rubble that holds both my mother, Florence's and New York's soul as one disappears into old age and the other into gentrification. All are real observations and/or experiences with very little tall-tale telling.
Except when it makes the story better.
Please visit myprivateconey.com for additional information and sample works.