It was on top of the garbage bags in front of a Lexington apartment building.
Not the interesting brownstone-ish kind or the super modern luxury glass towers that got tax breaks to get built, but you had to be filthy rich to live in.
It was one of those maybe 1960s white brick 12 or 16-story boxes where very well-paid people, who offered very expensive services to very rich people on the upper east side, once lived in. Maybe still did. Hard to tell.
Seemed like now there were lots of designer outfits flitting in and out and perhaps a lot of them were sharing three to a one bedroom just for the chance to live in Manhattan and work a low-paying job at a glamous office, like a PR firm for exciting hot new restaurants or the Met Museum.
Carolyn, who maybe painted this for a high school art class, had printed her name on the back. The Chair and the little chair with the real piece of frame around it and inside that a picture of an even littlier chair and inside that...
I wondered if somewhere in this bland building stuffed with thin, young women and buff-young men, there was an apartment where Carolyn got to grow up and tall in and got to, one day, paint the sunny corner that welcomed someone to sit down and be home.
MY PRIVATE CONEY presents IT WAS HER NEW YORK, the short stories that accompany the work-in-progress video and photo collection of the same name (myprivateconey.com - media link - IT WAS HER NEW YORK). The stories and the media explore the tender rubble that holds both my mother, Florence's and New York's soul as one disappears into old age and the other into gentrification. All are real observations and/or experiences with very little tall-tale telling.
Except when it makes the story better.
Please visit myprivateconey.com for additional information and sample works.