Thursday, April 22, 2010

SPECIAL ANNOUNCEMENT: IT'S SPRING! IT'S A PARLOR! IT'S THE ANNUAL SPRING ARTIST'S SALE!!!

Des Becker Roses

This Sunday, six artists will gather in an old parlor of a beautiful turn-of-the-century home to sell some of their most beautiful works.

Hand Dyed Silk Scarves, by Colin Houlder Designs

One-of-a-kind jewelry of precious, semi-precious gems, gold, silver, austrian crystals, antique pen nibs & pearls by Alina Neganova

Amulet bags with crystals, stones and beads molded from hand dyed batik fabric by Barbara Zernov

Lilly Recht (age 11) sells fashionable and recyclable duct tape bags.

Porcelain dinner ware, serving pieces, oversized coffee and tea mugs, iridescent glass bird baths and other ceramic marvels by Claire Des Becker

Haramaki (belly warmers), yoga cushions, tick repellent and hand-made lip balms for all seasons by Sharon Kimmelman


Des Becker Birdbath


I asked Claire Des Becker about the origins of her parlor sales:

I held successful yearly artists' sales, twice a year for 10 years in my large ceramics studio. The parlor sales began after my husband and I move into our 120 year old house in Manhattan.

Artists like and need to educate people about their work. In a world of mass produced goods people need to understand why the handmade item is special.

Now, with money less available for extra things people are delighted to be able to buy often museum quality items, at the artists' best prices. These same items may be found in department stores and galleries, but there is a huge markup in the stores and galleries because the overheard is high.

Artists and and clients enjoy each others' company and have a good time in the non-pressured comfort of my parlor twice a year. I am truly pleased to host this event.

ANNUAL SPRING ARTIST’S SALE
(Mothers’ and Special Others’ Sale)

Date: Sunday, April 25

Time: 1:30 pm.-5:30pm.

Location: 126 Manhattan Avenue, between 105th and 106th Street
(just off Central Park West and behind the chateau)

Refreshments served.


Des Becker Roses #3

Part Five: A View From A Kitchen

A View From A Kitchen is a series on what meets our eye when we look up from our dirty dishes or half-full coffee cup.



Cowboylands

I don't often sit at my kitchen window in the morning with my coffee--if I'm imbibing caffeine I'm either writing, working at the latest editing gig, or catching up with My Private Coney and other blogs. What I will do is when stuck on a scene, or tired from squinting at commas, I walk restlessly through my apartment, and I will stand at my kitchen window and look out, catching the drift of the clouds, the look of the newest green shoots on the garden below, the cheery red-headed whatever-they-are birds at the feeder on the fire escape. It's my way to leave my body and get some peace. To fugeddabout myself.

Seeing sky is crucial for me--just as I feel closed in by something, panicked or unhappy, a scan of clouds or blue blueness or the distant Empire State Building keeps me, well, nicer. Note the new fucking condo to the left, which cut into my sky. MY sky! Anyway, at least it's a light color. If I squint my eyes, it looks like a desert bluff.

The growing garden below. I pretend to be God and make flowers and plants grow where I want them. There's a stray cat down there sleeping because he has sex nightly. Go forth and multiply, saith the Lord.

The birds also cheer me up--some kind of sparrow that's scrappy but melodious, with a bright red head that becomes almost fluorescent red in the summer. Writing, a compulsion, can be dismal or incandescent, but it's solitary. These birds remind me there are beings who exist, happily, to eat, drink, and fornicate. Amen.

Tuesday, April 20, 2010

Part Four: A View From A Kitchen

A View From A Kitchen is a series on what meets our eye when we look up from our dirty dishes or half-full coffee cup.



Smoke and Gaslight

I like to call it the mystery window. The cut of my apartment house limits the full view so I can only get partial views of people coming and going. It actually helps with the imagination. A quick glimpse of a sleeve or an echo of a voice can tell me which of my neighbors are walking out on their way to who knows where. Or if I see the rake of my neighbor propped against the opposite wall, I know that spring is here and she is about to replant the garden with a skill and mastery perfected over 50 years that I could never get right. Kids running a hundred miles an hour as they race to the center of the courtyard bounce by as I sit at my kitchen table.

One of my first memories moving into my home was of the bright stream of sunshine that starts as a peek through the blinds in the early morning, gradually growing till it spills into my living room. Light in other parts of my home doesn’t radiate that way. And it is a welcome start to the day as I race out to whatever surprises await me once I open my door.

Sunday, April 18, 2010

Sunday Memories: Part Three: A View From A Kitchen

A View From A Kitchen is a series on what meets our eye when we look up from our dirty dishes or half-full coffee cup.


Florence

What possessed me at 9 or 12 to snap square pictures of our home?

But a brief moment and quick snap of a mundane occurrence now remembers how Florence practiced her cello in the kitchen by the old radiator in front of the view that looked out on tougher projects and the playground under the old bridge.

Thursday, April 15, 2010

Part Two: A View From A Kitchen

A View From A Kitchen is a series on what meets our eye when we look up from our dirty dishes or half-full coffee cup.



City Of Strangers

The kitchen itself is amazing, but the view is not.

Tuesday, April 13, 2010

Part One: A View From A Kitchen

A View From A Kitchen is a series on what meets our eye when we look up from our dirty dishes or half-full coffee cup.


JANE

I've looked out my windows for eleven years and watched piece after piece fall from the solar frame. Some hung on by rust alone but withstood a guy with a metal saw who tried for a day to cut them down. The buildings behind and to the left of the panels have grown by two illegal floors, one shut down and leaving hanging streamers of blue tape and open windows, the other legally required to demolish but still renting unimpeded.

The tragedy is that the flock of pigeons no longer wheel and swoop in to roost on the cross-bars, too many predators in the sky. One day last summer there were an unbelievable five hawks circling above, barely visible.

When that structure comes down I may have to leave, it's the last abstraction in my view.

Sunday, April 11, 2010

Sunday Memories: All Roads Lead To...


A rare destination, once in a while my father would shepherd us over for one small piece of a cannoli.

The pastry is still utterly exquisite and now I can go as often as I want.


Caffe Roma Pastry‎
385 Broome Street
New York, NY 10013-3961
(212) 226-8413‎

Thursday, April 8, 2010

Sunday In The Park With Springtime

The kids fed the pigeons.


We fed ourselves.


The daphadils attempted surival


And while the men gambled below, yet another fight scene for yet another student film got rehearsed.

Tuesday, April 6, 2010

It Was Our New York


All four of us from different corners. Still, even if the streets barely look the same anymore, the feeling of returning home to landsmannes words pouring out most of them 'fuck' and crossing wherever we want against the light at Olympic paced charges that were barely a stroll in our childhood neighborhoods.

Sunday, April 4, 2010

Sunday Memories: A Cup Full Of No Memory


It's not the cup reminding me of the home I thought I was going to share with a promise of marriage.

It's not the cup reminding me Florence never went beyond Grand Street with her dreams.

It's not the cup reminding me of my own diaspora.

It's not the the cup reminding me of the shot in the dark at the possibility of new.

It's a new cup with a cartoon character I rarely saw as a kid who lived in a neighborhood I've never been to and all it reminds me of is a wonderful friendship that always opens up into doubled over laughing so hard while stumbling through the hell of words often referred to as the Joy of Writing.

Friday, April 2, 2010

SPECIAL ANNOUNCEMENT: MY PRIVATE CONEY / HER NEW YORK ON THE BLOG INTERVIEWER



Mike Thomas, of The Blog Interviewer was kind enough to invite MY PRIVATE CONEY PRESENTS IT WAS HER NEW YORK to answer questions about the blog and about blogging in general.

Thank you, Mike!

Thursday, April 1, 2010

Luke Wouldn't Have Been Invited To The Tea Party But He Would Have Been Welcomed Here


On a rainy, cold Sunday afternoon in Williamsburg, strangers trundled down a staircase to the Sandbox's very comfortable basement, and ate mint jelly candies and unsalted popcorn while sitting patiently through technical difficulties. It was worth it. Because for a couple of hours we all felt hope for our country.

Blessed are you who are poor, for yours is the kingdom of God. Blessed are you who are hungry now, for you will be filled.



Blessed are you when people hate you, and when they exclude you, revile you, and defame you on account of the Son of Man.



But woe to you who are rich, for you have received your consolation. Woe to you who are full now, for you will be hungry. Woe to you who are laughing now, for you will mourn and weep.



Capitalism: A Love Story

Tuesday, March 30, 2010

Hope Springs Eternal


There are new eyes looking out of Florence's windows. I mentioned that when I was a kid, the trees in the park below always let me know when Spring was coming. The tenant wrote back that she knew Spring was coming by how many more people were walking across the bridge. Oh, have times changed. When we all lived there, no one walked across that bridge.

The trees outside the windows I have lived in for the past 34 years never really tell me anything until it's summer and much too late to get excited. So the heralding of Spring has instead become that roller coaster of volatile weather - hot! cold! warm! cold again!

A chilly walk on 103rd Street the other day changed all that when I saw something I hadn't seen since I was a kid.

Flowers. At least what passed for flowers on the Lower East Side. Spring.

Sunday, March 28, 2010

Sunday Memories: Zing Zing Zing Went My Heartstrings


This was before video games. This was before the internet. This was even before James T. Kirk appeared in the horizon on the Starship Enterprise.

And since we didn't have a television, excitement had to be found where ever we could find it and what better place than public transportation. The subway had that front car window, as good as any Coney Island ride. But if you were on a bus, you had both the window and the chance to pull the bell. A ride with sound effects! Couldn't be beat.

Then somewhere along the line they modernized the buses and those long cords begging to be yanked so the bells pealed like a Sunday church disappeared. Now most buses had subtle strips that only rang on the first request, thus sparing the bus driver from going batty from constant dinging all day.

And then today in the middle of a lovely meandering down Fifth Avenue on the M5, I looked up from my window seat only to see a cord. With a little sign:

Pull
Cord
To
Signal
For
Stop

Thursday, March 25, 2010

The Primary Reason We Are A Democracy



"Most people don't vote in the primary," the young candidate observed. "Candidates win with only a small group of people voting."

And yet in a crowded room filled with a medly of New Yorkers, plans were made to change all that, person to person, word to word, handshake to handshake.











previous posts on Reshma Saujani: Stepping out and Then Stepping Into

Reshma Saujani
http://www.reshma2010.com/

Tuesday, March 23, 2010

Poetry In Motion Without Getting On The Train



Her poem 'nocturne' adorns my door, confronting me every morning before I leap from my safety into the world outside to give up my bullshit and attempt the integrity Florence died in vain for.


nocturne

only in the greatest need of peace
will you be able to resist
those whose motives lack beauty

our island is punished by winter:
beneath the snowfall we linger, our tongues buried in silence

There's a kind of suffering that requires a stage,
a play,
a monotonous soliloquy
about extravagant vices;
finally in act five, scene one
Truth enters disguised as Manipulation

in the absence of contentment
this world can not continue
and the end will not be
some great crash
(or some great class)
but a mute isolation of spirit

to heal ourselves
we will repair another's wounds

slumber in darkness
until a dream opens
your eyes
your bed was covered with shame once
but now it is quilted
with a passion for empathy


- Susan Scutti
octoberbabies.wordpress.com

Sunday, March 21, 2010

Sunday Memories: Ode to Food - Part 2


I didn't know where Florence kept the sugar in our house. And there certainly wasn't any honey. She had been once again ahead of her time, and during the golden era of sugar, fat, and pre-packaged everything we were forced to eat fruit and vegetables and other G-d awful healthy food. Soda and any kind of cake was relegated to Friday night at Gramma Sophie's house in Knickerbocker Village.

But with all my sneaking into friends' homes and oogling the forbidden fruit in their cupboards or at their tables, I fell in love with that little honey bear. It was a toy, it was a bear, it was sweet. It was all the things I yearned for rolled up in one.

Even now, I'd rather have that bear than a pot of organic honey made by bees who each had their own name.

Thursday, March 18, 2010

Ode To Food


Before it arrived, Florence shopped at the Essex Street Market until it was impossible to do so. Then she switched over to the Fruit Man, Chinatown and the expensive organic place, Commodies but only for the olive oil. Her fridge was filled with pots of healthy salt-free food she hated eating.

I didn't shop at all. My fridge was filled with order-up cartons and very little food resembed anything close to how it started out in this world .

Then Trader Joe's opened. A weekly offering of organic bananas to Florence began along with other exciting little things that for a while made food exciting to her again.

And soon after that I was figuring out how to heat things up without burning down the building and trying out different spreads and sauces on semi-burnt food.

These days, there's rarely any take-out containers in my fridge and most of the food looks like how it arrived on this earth.

And there's always organic bananas.

Tuesday, March 16, 2010

Class Trip


The teachers were snapping pictures. The firefighters were snapping pictures. Passer-byers were snapping pictures. And the kids just grinned and grinned and grinned.

I thought as I walked away their class trip was way better than the one we took in first grade to the police station on Delancey and Clinton. There they showed us the cells and gave us stern warnings.

Sunday, March 14, 2010

Sunday Memories: Flotsum and Jetsom


It was one thing for Florence to throw out two shopping bags filled with the letters of the woman who had loved her for four decades, or for me and Adrian to chuck into a private garbage truck two huge boxes of shoes and tapes and baby pictures and books left after an ignoble departure by my then-boyfriend.

These banishings offered an illusion that the time it took to heal was somehow faster and lighter.

But what never quite got thrown out were all those other things collected when part of a duo.

* How a good cup of coffee is made.

* Why Frebreze is bad.

* Who's in 'Who's Who's In America'.

* What is needed to shoot a documentary in Uranium City. In winter.

These virtual knick-knacks faded into the background until something, an errant comment or mundane moment illuminated the clutter from past relationships.

At the end, Florence couldn't remember who that woman was. The name meant nothing. But in a desperate attempt to be there for her and with her, the woman sent a little guitar keychain that played little electronic songs until the battery died. At that point Florence just strummed and soon after that, just clutched it, along with the keys to a home she no longer understood.