A series of Dana's writing.
Marian and I had high expectations. We were about to go to see a one-woman theatre piece calls “the Amish Project”. It referred to the tragic murder of thirteen school kids whose Amish classroom was invaded by an armed lunatic.
At first I refused to join Marian in reliving such a terror. But word came from several critics of its unique value. Travel plans were finalized, and I was nearly dressed when Marian called at the last moment to tell me that there was a long, steep flight of steps from the street entrance up to the theater.
I am too disabled to manage those damn steps.
Marian decided to go alone. This was another time I had been rebuffed by architecture. Suddenly my missed evening struck me harder than the play’s tragic subject. I moped regretfully the remainder of the afternoon.
Stepping outside on my terrace to relieve the blues, I was thrilled to see a dazzling rainbow its enormous arc embracing the sky from mid-Manhattan to north Brooklyn, I began shouting to the strollers eleven stories below to “look up, look up, a rainbow!” But no one heard me. I was the sole beneficiary of the splendor. I was Finian himself.
The Art and Archives of the American Indian Community House - The American Indian Community House (AICH) is a nonprofit organization dedicated to serving the needs of Native Americans living in New York City. With a...
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